La buona novella

La buona novella
Studio album by Fabrizio De André
Released November 1970
Recorded 1970
Genre Folk
Length 35:27
Language Italian, Latin
Label Produttori Associati
Producer Roberto Dané
Fabrizio De André chronology
Volume 3
(1968)
La buona novella
(1970)
Non al denaro non all'amore né al cielo
(1971)
Alternative cover
Alternative cover of the original release
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La buona novella is the name of the fourth studio album by Italian singer-songwriter Fabrizio De André, released in 1970. Its plot revolves around the New Testament apocrypha.

Contents

Development

The LP is a concept album inspired by several apocryphal gospels, mainly the Gospel of James and the Arabic Infancy Gospel.
Producer Roberto Dané had the original idea for the album and submitted it to Antonio Casetta of Produttori Associati, who in turn advised him to discuss the idea with De André, who was stuck in a creative rut at that time. After a year of work, the album was ready.
Narration in this album, in accordance with the apocrypha, emphasizes the human traits of traditional biblical characters (i.e. Joseph) and focuses more on some minor characters (i.e. Titus and Dumachus, the two thieves crucified along with Jesus). De André himself considered it "one of his best works, if not the best".

Track listing

  1. "Laudate Dominum" (Praise the Lord) (0:22)
  2. "L'infanzia di Maria" (Mary's Childhood) (5:01)
  3. "Il ritorno di Giuseppe" (Joseph's Return) (4:07)
  4. "Il sogno di Maria" (Mary's Dream) (4:0)
  5. "Ave Maria" (Hail Mary) (1:54)
  6. "Maria nella bottega del falegname" (Mary In the Carpenter's Workshop) (3:15)
  7. "Via della Croce" (Way Of the Cross) (4:33)
  8. "Tre madri" (Three Mothers) (2:56)
  9. "Il testamento di Tito" (Titus' Testament) (5:51) (Fabrizio De André, Corrado Castellari)
  10. "Laudate Hominem" (Praise the Man) (3:26)

Criticism

The album was heavily criticized at the time of its release due to its themes. During the students' protests period, many regarded it as conservative, anachronistic and generally uncompatible with the idea of social change promoted by the protests. When De André was asked why he would make an album about Jesus Christ at a time like that, he answered that "Jesus is the greatest revolutionary of all history". He also explained that the album is "an allegory, a comparison between the best and most reasonable principles of the protest movement and the spiritually wider ones of a man, born 1968 years before, who got himself nailed to a cross in the name of universal brotherhood and egalitarianism, against any abuse of power".

Personnel